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home·artworks·Portrait of Henry Laurens
Portrait of Henry Laurens by Lemuel Francis Abbott

plate no. 4735

Portrait of Henry Laurens

Lemuel Francis Abbott, 1784

oilRococoportraitportraitfigureclothingred curtainletter
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate skin tone mixing and rendering of fabric textures. It also provides practice in creating depth and form through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the background with a thin wash of red and brown, creating the suggestion of a curtain.

  3. step 03

    Block in the main areas of color for the skin, clothing, and letter, focusing on the overall value structure.

  4. step 04

    Begin to refine the facial features, paying close attention to the highlights and shadows that define the form.

  5. step 05

    Develop the details of the clothing, including the lace collar and cuffs, using small, precise brushstrokes.

  6. step 06

    Add the details of the letter, including the text and the folds in the paper.

  7. step 07

    Refine the background, adding subtle variations in color and value to create depth.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of realism.

color palette

primary · ivory black · cadmium red · titanium white · yellow ochre

secondary · burnt umber · ultramarine blue · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Darken with burnt umber and lighten with more white. Use ultramarine blue and burnt umber to create the dark tones in the clothing.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Using too much paint and losing the subtle value changes.
  • →Failing to create a sense of depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for the painting.

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