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home·artworks·Portrait of Hendrik III, Count of Nassau Breda
Portrait of Hendrik III, Count of Nassau Breda by Mabuse

plate no. 9182

Portrait of Hendrik III, Count of Nassau Breda

Mabuse, 1516

oil, panelNorthern Renaissanceportraitportraitfigureclothinghatjewelryframe
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering realistic skin tones, as well as practicing detailed fabric and texture representation.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure within the frame.

  2. step 02

    Establish the background colors and values, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figure, including the head, clothing, and hands.

  4. step 04

    Begin layering skin tones, paying attention to subtle variations in color and value.

  5. step 05

    Develop the details of the clothing, including the folds, textures, and patterns.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Refine the facial features, capturing the likeness of the subject.

  8. step 08

    Add final details, such as jewelry and the paper in the hand.

color palette

primary · ivory black · raw umber · cadmium red · titanium white

secondary · yellow ochre · ultramarine blue · burnt sienna

Achieve skin tones by mixing white, red, yellow ochre, and a touch of blue or umber. Create the dark velvet by layering red and black, and the gold patterns by mixing yellow ochre with touches of umber and white for highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·layering
  • ·chiaroscuro

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Overly simplified skin tones.
  • →Lack of attention to detail in the clothing and accessories.
  • →Flat or lifeless rendering of the subject's face.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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