apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Grand Duchesses Olga Nikolaevna and Alexandra Nikolaevna
Portrait of Grand Duchesses Olga Nikolaevna and Alexandra Nikolaevna by Christina Robertson

plate no. 7973

Portrait of Grand Duchesses Olga Nikolaevna and Alexandra Nikolaevna

Christina Robertson, 1840

oil, canvasAcademicismportraitfiguresdressesinteriorpianocurtainarchitecture
experienced study

Recreating this painting will help students develop skills in portraiture, fabric rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in capturing the subtle nuances of light and shadow on different surfaces.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and the background elements.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Develop the values and tones, focusing on creating a sense of depth and atmosphere.

  4. step 04

    Begin refining the details of the figures, including the facial features, hair, and clothing.

  5. step 05

    Pay close attention to the rendering of the fabric, capturing the folds, highlights, and shadows.

  6. step 06

    Add details to the background elements, such as the piano, curtain, and architectural features.

  7. step 07

    Refine the overall composition and make any necessary adjustments to the values and colors.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · ivory black · raw umber · burnt sienna

secondary · alizarin crimson · yellow ochre · ultramarine blue

Achieve the subtle variations in skin tones by mixing titanium white, raw umber, and a touch of alizarin crimson. Create the fabric's sheen by layering thin glazes of white and gray.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle nuances of color and tone.
  • →Getting lost in details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (titanium white, ivory black, raw umber, burnt sienna, alizarin crimson, yellow ochre, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus