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home·artworks·Portrait of Gillis Hooftman, Shipowner, and His Wife Margaretha Van Nispen
Portrait of Gillis Hooftman, Shipowner, and His Wife Margaretha Van Nispen by Maarten de Vos

plate no. 9357

Portrait of Gillis Hooftman, Shipowner, and His Wife Margaretha Van Nispen

Maarten de Vos, 1570

oilNorthern Renaissanceportraitportraitfiguresclothinginteriorbeardjewelry
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of fabric textures. It also provides practice in creating subtle value gradations to model form.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, paying attention to the subtle variations in tone.

  4. step 04

    Begin to refine the details of the figures, starting with the faces and hands.

  5. step 05

    Work on the clothing, carefully rendering the folds and textures.

  6. step 06

    Add the jewelry and other accessories, paying attention to their reflective qualities.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium red · yellow ochre · gold

Mix blacks with umber and a touch of red to create depth. Use white to create highlights and subtle gradations in skin tones. Mix ochre and burnt sienna for the gold tones.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·value studies
  • ·rendering fabric

common pitfalls

  • →Getting proportions wrong
  • →Overworking details too early
  • →Creating muddy colors
  • →Ignoring subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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