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home·artworks·Portrait of Gilles Joye
Portrait of Gilles Joye by Hans Memling

plate no. 3937

Portrait of Gilles Joye

Hans Memling, 1472

oil, oakNorthern Renaissanceportraitportraitfigurehandsclothingframeinscription
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportion and subtle value transitions. It also provides practice in rendering realistic skin tones and textures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, frame, and inscription.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the mid-tones of the face and clothing.

  3. step 03

    Begin layering in the skin tones, paying close attention to the subtle variations in value and color.

  4. step 04

    Refine the details of the face, including the eyes, nose, and mouth, using small brushes and thin layers of paint.

  5. step 05

    Paint the clothing, focusing on the folds and shadows to create a sense of depth.

  6. step 06

    Add the details of the hands, including the ring and the subtle variations in skin tone.

  7. step 07

    Carefully render the frame, paying attention to the texture and the inscription.

  8. step 08

    Add final highlights and shadows to create a sense of realism and depth.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · burnt sienna · cadmium red light

Mix skin tones using white, yellow ochre, and a touch of red and umber. Use ivory black and raw umber for the background and clothing, adding white for highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·underpainting

common pitfalls

  • →Incorrect proportions of the face and hands.
  • →Overly harsh or muddy skin tones.
  • →Inaccurate rendering of the clothing folds and shadows.
  • →Neglecting the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (small round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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