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home·artworks·Portrait of Georges Wille
Portrait of Georges Wille by Jean-Baptiste Greuze

plate no. 5740

Portrait of Georges Wille

Jean-Baptiste Greuze, 1763

oilRococoportraitportraitfiguremanclothinghairrococo
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric textures and details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the head and shoulder placement.

  2. step 02

    Establish the background color with a thin wash of brown and umber.

  3. step 03

    Block in the main shapes of the face, hair, and clothing with basic color mixtures.

  4. step 04

    Begin layering colors on the face to build up skin tones, focusing on highlights and shadows.

  5. step 05

    Refine the details of the hair, using small brushstrokes to create texture and volume.

  6. step 06

    Paint the clothing, paying attention to the folds and drapery. Use darker values for shadows and lighter values for highlights.

  7. step 07

    Add the details of the lace and patterns on the vest, using a fine brush.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ivory black · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, cadmium red, and a touch of burnt umber. Use ultramarine blue and burnt umber to create neutral grays and blacks for shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·color mixing
  • ·rendering fabric

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in color and value.
  • →Not blending colors smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a burnt umber wash can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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