apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of George, Prince of Wales, Later George III
Portrait of George, Prince of Wales, Later George III by Jean-Étienne Liotard

plate no. 6421

Portrait of George, Prince of Wales, Later George III

Jean-Étienne Liotard, 1754

pastelRococoportraitportraitfigureclothinghairroyalmale
some experience helpful

Recreating this painting will help students develop skills in blending pastel colors to create smooth skin tones and rendering delicate details in clothing and hair. It also provides practice in capturing likeness and conveying a sense of character.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with broad, even strokes of pastel, gradually building up depth and tone.

  3. step 03

    Block in the main areas of the face and hair, using light and shadow to define the form.

  4. step 04

    Carefully blend the pastel colors in the face to create smooth transitions and realistic skin tones.

  5. step 05

    Add details to the eyes, nose, and mouth, paying attention to subtle variations in color and value.

  6. step 06

    Render the clothing, focusing on the folds and drapery, and add the decorative elements.

  7. step 07

    Refine the hair, using small, precise strokes to create texture and volume.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced.

color palette

primary · titanium white · raw umber · burnt sienna · yellow ochre

secondary · ultramarine blue · rose madder · ivory black

Achieve skin tones by mixing white, ochre, sienna, and a touch of rose madder. Use ultramarine and black sparingly for shadows and details in the hair and clothing.

techniques

  • ·pastel blending
  • ·layering
  • ·scumbling
  • ·cross-hatching
  • ·rendering fine details

common pitfalls

  • →over-blending, resulting in a muddy appearance
  • →using too much pressure, which can damage the paper
  • →neglecting the importance of accurate proportions
  • →failing to capture the subtle variations in skin tone

materials

surface · pastel paper (toned)

required

  • ·pastel sticks (various colors)
  • ·pastel paper (toned)
  • ·kneaded eraser
  • ·blending stumps
  • ·fixative spray
  • ·drawing board
  • ·soft brushes

optional

  • ·palette knife
  • ·sandpaper block
  • ·workable fixative

Choose a pastel paper with a slightly textured surface to hold the pastel pigment. A toned paper will help to establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West