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home·artworks·Portrait of George Montagu, Detail
Portrait of George Montagu, Detail by Jean-Baptiste van Loo

plate no. 8821

Portrait of George Montagu, Detail

Jean-Baptiste van Loo

oilRococoportraitportraitfiguremanclothingfacehair
some experience helpful

Recreating this portrait will help students develop skills in color mixing for skin tones and understanding subtle value changes to create form. It also provides practice in capturing a likeness and rendering details in clothing.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of a neutral color like burnt umber.

  3. step 03

    Begin layering in skin tones, starting with the mid-tones and gradually adding highlights and shadows.

  4. step 04

    Mix and apply the colors for the clothing, paying attention to folds and highlights.

  5. step 05

    Refine the facial features, focusing on the eyes, nose, and mouth.

  6. step 06

    Add details to the hair and clothing, such as individual strands of hair and lace details.

  7. step 07

    Check the overall composition and make any necessary adjustments to values and colors.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · raw umber · cadmium red light

secondary · ultramarine blue · yellow ochre · ivory black

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine blue and ivory black to create the dark tones in the background and clothing. Add white to create lighter shades of blue for the clothing highlights.

techniques

  • ·portrait painting
  • ·glazing
  • ·blending
  • ·value study
  • ·color mixing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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