
plate no. 0913
Lucas Cranach the Elder, 1525
This painting offers a good exercise in portraiture, focusing on subtle value changes to model form and capturing a likeness. Students will develop skills in color mixing for skin tones and rendering fabric.
technical profile
approach — 8 steps
Create a light sketch of the head and shoulders, paying attention to proportions and angles.
Block in the main areas of color: skin, clothing, and background.
Begin layering skin tones, focusing on the shadows and highlights to define the form of the face.
Refine the details of the eyes, nose, and mouth.
Work on the clothing, paying attention to the folds and shadows.
Add highlights to the hair and clothing.
Blend and soften edges as needed.
Add final details and adjust values as necessary.
color palette
primary · ivory black · raw umber · yellow ochre · titanium white
secondary · burnt sienna · cadmium red light · viridian
Skin tones are achieved by mixing white, yellow ochre, raw umber, and a touch of red. Shadows are created by adding burnt sienna and umber. The background is a mix of viridian and raw umber, lightened with white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A smooth canvas surface is recommended.
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