apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Frederick Augustus of Poland and Saxony
Portrait of Frederick Augustus of Poland and Saxony by Henryk Rodakowski

plate no. 8348

Portrait of Frederick Augustus of Poland and Saxony

Henryk Rodakowski

oilRomanticismportraitportraitfigurearmordraperycrownroyal
experienced study

Recreating this painting will help students develop skills in portraiture, rendering metallic surfaces, and capturing the textures of fabrics. It also provides practice in complex composition and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key elements.

  2. step 02

    Establish the background with broad washes of color, paying attention to the drapery folds.

  3. step 03

    Block in the main shapes of the figure, including the armor, clothing, and face.

  4. step 04

    Begin refining the facial features, focusing on accurate proportions and subtle value changes.

  5. step 05

    Develop the armor, using highlights and shadows to create a sense of depth and reflectivity.

  6. step 06

    Add details to the clothing, including the folds, textures, and embellishments.

  7. step 07

    Refine the background and add details to the crown and other objects.

  8. step 08

    Add final highlights and shadows to create a sense of realism and depth.

color palette

primary · ivory black · titanium white · cadmium red · ultramarine blue

secondary · yellow ochre · burnt umber · raw sienna

Mix various shades of gray for the armor by combining ivory black and titanium white. Create rich reds for the drapery by mixing cadmium red with burnt umber. Achieve the blue of the robe by blending ultramarine blue with ivory black and titanium white for highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·rendering metal

common pitfalls

  • →Inaccurate proportions in the figure.
  • →Overly harsh or flat rendering of the armor.
  • →Lack of depth in the drapery.
  • →Poor color mixing resulting in muddy or unrealistic colors.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke