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home·artworks·Portrait of Floris van Egmond
Portrait of Floris van Egmond by Mabuse

plate no. 0828

Portrait of Floris van Egmond

Mabuse, 1519

oilNorthern Renaissanceportraitportraitfigureclothinghatjewelrymale
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone variations, and rendering of fabric textures. It also provides practice in creating a sense of depth through careful value control.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's proportions and pose on the canvas.

  2. step 02

    Block in the main shapes and colors of the background, clothing, and skin tones.

  3. step 03

    Begin refining the facial features, paying close attention to the light and shadow.

  4. step 04

    Develop the details of the clothing, including the folds, textures, and patterns.

  5. step 05

    Add the details of the hat and jewelry.

  6. step 06

    Refine the background and adjust the overall values to create depth.

  7. step 07

    Add final highlights and details to the face and clothing.

  8. step 08

    Glaze the painting to unify the colors and add depth.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Skin tones can be achieved by mixing white, red, yellow ochre, and a touch of blue. Darker areas use more burnt umber and black. The clothing colors are achieved by mixing the primary colors with white to create lighter shades.

techniques

  • ·portraiture
  • ·glazing
  • ·value control
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions
  • →Muddy skin tones
  • →Overworked details
  • →Flat lighting
  • →Inaccurate color mixing

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (ivory black, burnt umber, raw sienna, titanium white, cadmium red, yellow ochre, ultramarine blue)
  • ·Assorted brushes (round, flat)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Soft cloth

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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