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home·artworks·Portrait of Ferenc Liszt
Portrait of Ferenc Liszt by Wilhelm von Kaulbach

plate no. 5922

Portrait of Ferenc Liszt

Wilhelm von Kaulbach, 1856

oilRomanticismportraitportraitfiguremanhairclothingcollar
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations. It also provides practice in rendering fabric and creating a sense of depth through value and color.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and collar.

  2. step 02

    Establish the main light and shadow areas with thin washes of burnt umber and raw sienna.

  3. step 03

    Begin layering skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Mix and apply the colors for the hair, paying attention to the direction of the strands.

  5. step 05

    Paint the dark clothing, using a mix of black, burnt umber, and a touch of blue.

  6. step 06

    Carefully render the white collar, capturing its subtle folds and highlights.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · burnt umber · raw sienna · ivory black

secondary · yellow ochre · ultramarine blue · cadmium red light

Skin tones can be achieved by mixing titanium white, burnt umber, raw sienna, and small amounts of cadmium red light and yellow ochre. Dark areas are created by mixing ivory black and burnt umber. The background is achieved with washes of burnt umber and raw sienna.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·value studies
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the face.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to detail in the eyes and mouth.
  • →Flat or lifeless rendering of the clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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