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home·artworks·Portrait of Félix Peretti as a child (study)
Portrait of Félix Peretti as a child (study) by Jean-Victor Schnetz

plate no. 5177

Portrait of Félix Peretti as a child (study)

Jean-Victor Schnetz, 1824

oil, paper, canvasAcademicismportraitportraitchildfigurehairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating soft, blended transitions and suggesting form with subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the background color with a thin wash of green and brown.

  3. step 03

    Block in the major areas of light and shadow on the face, hair, and clothing using simplified values.

  4. step 04

    Refine the skin tones by layering and blending colors to create smooth transitions.

  5. step 05

    Add details to the eyes, nose, and mouth, paying close attention to their shape and placement.

  6. step 06

    Develop the texture and form of the hair with short, directional brushstrokes.

  7. step 07

    Refine the details of the clothing and fur collar, adding highlights and shadows.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and realism.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · cadmium red light · yellow ochre · viridian green

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Create shadows by adding black or burnt sienna to the skin tone mixture. The background is a mix of green, umber, and black.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·portraiture

common pitfalls

  • →Overblending, resulting in a flat, lifeless appearance.
  • →Incorrect proportions of facial features.
  • →Using too much black, making the colors appear muddy.
  • →Ignoring subtle value changes, leading to a lack of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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