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home·artworks·Portrait of Eva Wtewael
Portrait of Eva Wtewael by Joachim Wtewael

plate no. 7641

Portrait of Eva Wtewael

Joachim Wtewael, 1628

oil, panelNorthern Renaissanceportraitportraitfiguredresstablebooklace
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as practicing the depiction of complex textures like fabric and lace.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure and objects.

  2. step 02

    Block in the main areas of color, focusing on the large shapes of the dress, background, and table.

  3. step 03

    Develop the values, paying attention to the light and shadow patterns across the figure and objects.

  4. step 04

    Refine the details of the face, including the eyes, nose, and mouth, and blend the skin tones smoothly.

  5. step 05

    Add details to the dress, including the lace collar and cuffs, and the patterns on the fabric.

  6. step 06

    Paint the details of the table, book, and other objects, paying attention to their textures and forms.

  7. step 07

    Adjust the overall color balance and contrast to create a harmonious and visually appealing painting.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ivory black · titanium white · burnt umber · yellow ochre

secondary · cadmium red · viridian · gold

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Create the dark greens of the dress by mixing black, viridian, and umber. Use glazes of umber and black to create depth in the shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·fabric rendering
  • ·lace depiction

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details before establishing the overall values.
  • →Making the skin tones look flat or unnatural.
  • →Failing to capture the subtle variations in color and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·viridian oil paint
  • ·gold oil paint

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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