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home·artworks·Portrait of Empress Elizabeth Petrovna
Portrait of Empress Elizabeth Petrovna by Charles-Andre van Loo (Carle van Loo)

plate no. 5320

Portrait of Empress Elizabeth Petrovna

Charles-Andre van Loo (Carle van Loo), 1760

oil, canvasRococoportraitportraitfiguredressfabricroyalhistorical
experienced study

Recreating this painting will help students develop skills in portraiture, fabric rendering, and achieving subtle color variations. It also provides practice in capturing realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main light and shadow areas with a thin wash of color.

  3. step 03

    Block in the local colors of the skin, dress, and background.

  4. step 04

    Refine the facial features and add details to the hair and jewelry.

  5. step 05

    Develop the folds and textures of the dress, paying attention to light and shadow.

  6. step 06

    Add details to the background and other elements of the composition.

  7. step 07

    Glaze thin layers of color to create depth and luminosity.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · cadmium yellow · alizarin crimson · ultramarine blue

secondary · raw umber · burnt sienna · ivory black

Achieve skin tones by mixing white, yellow, and crimson with small amounts of umber or sienna. Create the dress colors by mixing white with yellow and blue, adjusting the ratios for different shades. Use glazes of crimson and umber to create depth in the background.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·color mixing
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figure
  • →Overly saturated colors
  • →Lack of depth and dimension
  • →Poor blending of skin tones

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cadmium yellow oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

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