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home·artworks·Portrait of Empress Elisabeth Alexeievna of Russia
Portrait of Empress Elisabeth Alexeievna of Russia by Louise Elisabeth Vigee Le Brun

plate no. 2618

Portrait of Empress Elisabeth Alexeievna of Russia

Louise Elisabeth Vigee Le Brun, 1795

oilRococoportraitportraitfiguredressjewelryhairshawl
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle color blending for skin tones, and rendering of fabric textures. It also provides practice in creating soft, diffused lighting effects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hands.

  2. step 02

    Establish the background with a thin wash of dark color, gradually building up darker tones.

  3. step 03

    Block in the main areas of color for the skin, dress, shawl, and pillow, using light and shadow to define form.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth, and blending the skin tones smoothly.

  5. step 05

    Add details to the hair, creating texture and volume with small brushstrokes and varying shades of brown and blonde.

  6. step 06

    Work on the drapery of the dress and shawl, capturing the folds and highlights with careful brushwork.

  7. step 07

    Add the jewelry and other accessories, paying attention to their reflective qualities.

  8. step 08

    Make final adjustments to the values and colors, ensuring a harmonious and balanced composition.

color palette

primary · titanium white · ivory black · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt umber · raw sienna

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. The blue shawl is created by mixing white with ultramarine blue and a hint of grey. The red pillow is a mix of cadmium red and a touch of burnt umber.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the face and body.
  • →Muddy or unrealistic skin tones.
  • →Overworking the details, resulting in a stiff or unnatural appearance.
  • →Neglecting the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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