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home·artworks·Portrait of Empress Alexandra Fyodorovna (Charlotte of Prussia)
Portrait of Empress Alexandra Fyodorovna (Charlotte of Prussia) by Christina Robertson

plate no. 7389

Portrait of Empress Alexandra Fyodorovna (Charlotte of Prussia)

Christina Robertson, 1852

oilAcademicismportraitportraitfiguredresslandscapecolumnfoliage
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering delicate fabrics and skin tones. It also provides practice in creating soft, atmospheric backgrounds.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with broad washes of color, creating depth and atmosphere.

  3. step 03

    Block in the main shapes of the figure, including the dress, fur, and face.

  4. step 04

    Refine the facial features, paying close attention to light and shadow.

  5. step 05

    Develop the details of the dress and fur, using layering and glazing techniques.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Paint the details of the lace and jewelry.

  8. step 08

    Finalize the painting with subtle adjustments to color and value.

color palette

primary · titanium white · cadmium red · raw umber · ivory black

secondary · ultramarine blue · yellow ochre · alizarin crimson

Achieve skin tones by mixing white, red, and umber with small amounts of yellow ochre and blue. Create the red velvet by layering alizarin crimson and cadmium red, glazing with darker reds for shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·rendering fur

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions of the figure
  • →Muddying the colors by over-mixing
  • →Failing to capture the likeness of the subject

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to speed up the painting process.

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