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home·artworks·Portrait of Emperor Paul I as a Child
Portrait of Emperor Paul I as a Child by Fyodor Rokotov

plate no. 6980

Portrait of Emperor Paul I as a Child

Fyodor Rokotov, 1761

oil, canvasRococoportraitportraitchildfigureclothingoval framerococo
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding subtle color variations and blending techniques.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the portrait, including the oval frame.

  2. step 02

    Establish the background with a thin layer of dark, muted colors.

  3. step 03

    Block in the main areas of color for the face, hair, clothing, and sash.

  4. step 04

    Begin layering and blending colors to create smooth transitions and subtle variations in skin tone.

  5. step 05

    Refine the details of the face, paying close attention to the eyes, nose, and mouth.

  6. step 06

    Add details to the clothing, including the lace collar, sash, and decorative elements.

  7. step 07

    Create the illusion of depth and form by adding highlights and shadows.

  8. step 08

    Finish by refining the details of the oval frame and adding any final touches.

color palette

primary · titanium white · cadmium red · ivory black · yellow ochre

secondary · ultramarine blue · burnt umber · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue and black to create the dark blues of the sash. Mix burnt umber and black for the background.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the paint and losing the subtle color variations.
  • →Failing to create a smooth transition between light and shadow.
  • →Ignoring the importance of accurate color mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·burnt umber oil paint

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending.

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