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home·artworks·Portrait of Elisabeth Christine von Braunschweig Bevern, Prussian queen
Portrait of Elisabeth Christine von Braunschweig Bevern, Prussian queen by Antoine Pesne

plate no. 3021

Portrait of Elisabeth Christine von Braunschweig Bevern, Prussian queen

Antoine Pesne, 1739

oilRococoportraitportraitfiguredressjewelryhairbow
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of fabric and details. It also provides practice in creating a sense of depth and volume through subtle shading and highlights.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and overall pose.

  2. step 02

    Establish the background with a dark, even tone.

  3. step 03

    Block in the main areas of color for the skin, hair, dress, and bows.

  4. step 04

    Begin refining the skin tones, paying close attention to the subtle variations in light and shadow.

  5. step 05

    Develop the details of the dress, including the folds, lace, and embellishments.

  6. step 06

    Paint the bows, capturing their texture and form with careful shading and highlights.

  7. step 07

    Add the jewelry and other accessories, paying attention to their reflective qualities.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed to create a cohesive and balanced image.

color palette

primary · titanium white · ultramarine blue · cadmium red · ivory black

secondary · yellow ochre · burnt umber · alizarin crimson

Skin tones are achieved by mixing titanium white, cadmium red, yellow ochre, and a touch of burnt umber. The blue of the dress is a mix of ultramarine blue and titanium white, with small amounts of black to darken the shadows. The pink bows are created with cadmium red and titanium white, with alizarin crimson added for depth.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·rendering fabric
  • ·creating highlights

common pitfalls

  • →Incorrect proportions of the face and body
  • →Overly harsh or muddy skin tones
  • →Lack of attention to detail in the dress and accessories
  • →Flat or lifeless rendering of the fabric

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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