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home·artworks·Portrait of Edmund Lodge
Portrait of Edmund Lodge by Lemuel Francis Abbott

plate no. 1099

Portrait of Edmund Lodge

Lemuel Francis Abbott

oilRococoportraitportraitfiguremanclothinghairhistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones and fabric textures. It also provides practice in creating depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the overall value structure, focusing on the areas of light and shadow.

  3. step 03

    Block in the main colors of the skin, hair, and clothing, using thin washes.

  4. step 04

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the details of the hair, using small, broken brushstrokes to create texture.

  6. step 06

    Add highlights and shadows to the clothing and background to create depth.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the overall effect.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · ivory black · titanium white · raw umber · cadmium red light

secondary · yellow ochre · burnt sienna

Mix skin tones by blending white, red, umber, and a touch of yellow ochre. Use ivory black thinned with medium for the background. Create highlights in the hair with white and a touch of yellow ochre.

techniques

  • ·portraiture
  • ·glazing
  • ·value studies
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, titanium white, raw umber, cadmium red light, yellow ochre, burnt sienna)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

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