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home·artworks·Portrait of Duval de l'Epinoy
Portrait of Duval de l'Epinoy by Maurice Quentin de La Tour

plate no. 2421

Portrait of Duval de l'Epinoy

Maurice Quentin de La Tour, 1745

pastelRococoportraitportraitfigurebooksglobeclothingfurniture
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering fabric textures and subtle color transitions.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and the main elements of the background.

  2. step 02

    Establish the basic skin tones and hair color, paying attention to the subtle variations in value.

  3. step 03

    Block in the large areas of the clothing, focusing on the folds and drapery.

  4. step 04

    Develop the background, including the bookshelf, globe, and the wall, using soft blending techniques.

  5. step 05

    Refine the facial features, adding details to the eyes, nose, and mouth to capture the likeness.

  6. step 06

    Add highlights and shadows to the clothing to create a sense of depth and volume.

  7. step 07

    Render the details of the lace, buttons, and other embellishments.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious composition.

color palette

primary · titanium white · ivory black · raw umber · yellow ochre

secondary · ultramarine blue · burnt sienna · cadmium red light

Achieve the skin tones by mixing white, yellow ochre, and a touch of red and umber; the fabric colors are achieved by mixing white with small amounts of umber, blue, and red.

techniques

  • ·portrait drawing
  • ·color mixing
  • ·blending
  • ·rendering fabric
  • ·glazing

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overly harsh blending, resulting in a flat appearance.
  • →Difficulty capturing the subtle color variations in the skin and fabric.
  • →Getting lost in the details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·soft vine charcoal

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will facilitate blending.

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