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home·artworks·Portrait of Dr.William Hunter
Portrait of Dr.William Hunter by Allan Ramsay

plate no. 7813

Portrait of Dr.William Hunter

Allan Ramsay, 1760

oil, canvasRococoportraitfigureportraitclothinglight sourcehistoricalmale
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding subtle value shifts to create form. It also provides practice in rendering fabric and details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the head size and placement.

  2. step 02

    Block in the background with a thin wash of warm browns and yellows, establishing the overall tone.

  3. step 03

    Establish the main light source and shadow areas on the face and hands using a limited palette of earth tones.

  4. step 04

    Begin building up the details of the face, focusing on accurate placement of features and subtle value changes.

  5. step 05

    Block in the basic shapes of the clothing, paying attention to the folds and drapery.

  6. step 06

    Add details to the clothing, such as the lace cuffs and gold trim, using small brushes and careful brushstrokes.

  7. step 07

    Refine the background and add any final details, such as highlights on the hair and clothing.

  8. step 08

    Glaze the painting with thin layers of color to unify the overall tone and enhance the depth.

color palette

primary · raw umber · yellow ochre · ivory black · titanium white

secondary · viridian green · cadmium yellow light · alizarin crimson

Mix various shades of brown and green by combining raw umber, yellow ochre, ivory black, and viridian green. Use titanium white to lighten colors and create highlights. Add small amounts of alizarin crimson to warm up the skin tones.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Incorrect proportions of the figure
  • →Overworking the details too early
  • →Failing to establish a clear light source
  • →Uneven blending of skin tones

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

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