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home·artworks·Portrait of Dr. Benjamin Hoadly
Portrait of Dr. Benjamin Hoadly by William Hogarth

plate no. 7721

Portrait of Dr. Benjamin Hoadly

William Hogarth, 1738

oil, canvasRococoportraitportraitfiguretablechairbustwindow
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding subtle value shifts to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, chair, table, and background elements.

  2. step 02

    Establish the overall composition and proportions, paying attention to the placement of the figure within the frame.

  3. step 03

    Block in the main color masses for the background, figure's clothing, and furniture using thin washes of color.

  4. step 04

    Develop the values and forms of the figure, focusing on the face and hands. Use layering and blending to create smooth transitions.

  5. step 05

    Add details to the clothing, chair, and table, paying attention to the textures and patterns.

  6. step 06

    Paint the bust and window, focusing on the light and shadow to create depth.

  7. step 07

    Refine the details and adjust the values to create a sense of realism and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the form and create visual interest.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · ivory black · cadmium red light · yellow ochre

Achieve skin tones by mixing raw umber, titanium white, and a touch of cadmium red light. Create variations in the clothing by adding yellow ochre or ivory black to the base color.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figure.
  • →Uneven blending of skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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