apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Doprothea Meyer, nee Kannengiesser
Portrait of Doprothea Meyer, nee Kannengiesser by Hans Holbein the Younger

plate no. 8230

Portrait of Doprothea Meyer, nee Kannengiesser

Hans Holbein the Younger, 1516

oil, panelNorthern Renaissanceportraitportraitwomanclothingarchitecturecolumnheadwear
some experience helpful

Recreating this painting will help students develop skills in portraiture, including rendering realistic skin tones and capturing likeness, as well as practicing detailed rendering of fabrics and architectural elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure and background elements.

  2. step 02

    Block in the main areas of color, starting with the background and then the larger shapes of the figure's clothing and skin.

  3. step 03

    Begin refining the skin tones, paying close attention to subtle variations in color and value to create a realistic effect.

  4. step 04

    Work on the details of the clothing, including the intricate patterns and textures of the fabric.

  5. step 05

    Add details to the architectural elements in the background, such as the columns and archway.

  6. step 06

    Refine the lighting and shadows throughout the painting to create depth and dimension.

  7. step 07

    Add final details, such as the jewelry and facial features.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · ultramarine blue · burnt umber · cadmium red · ivory black

secondary · yellow ochre · titanium white · gold

Achieve skin tones by mixing white, red, yellow ochre, and a touch of blue or green. Create the gold tones by mixing yellow ochre with burnt umber and a touch of white for highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to accurately capture the proportions of the figure.
  • →Neglecting the details of the clothing and background elements.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley