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home·artworks·Portrait of Dmitry Levitzky
Portrait of Dmitry Levitzky by Vladimir Borovikovsky

plate no. 2920

Portrait of Dmitry Levitzky

Vladimir Borovikovsky, 1796

oilRococoportraitportraitfiguremanclothingovalbackground figure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering subtle skin tones. It also provides practice in creating soft, diffused backgrounds and depicting clothing folds.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval shape and the basic proportions of the figure, paying attention to the placement of the head, shoulders, and hand.

  2. step 02

    Block in the main areas of color: the skin tones, the jacket, the shirt, and the background.

  3. step 03

    Begin to refine the skin tones, using subtle gradations of color to create form and volume.

  4. step 04

    Add details to the face, such as the eyes, nose, and mouth, focusing on capturing the likeness of the subject.

  5. step 05

    Paint the jacket and shirt, paying attention to the folds and wrinkles in the fabric.

  6. step 06

    Soften the edges of the background and add the faint figure in the background.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine the details and make any necessary adjustments.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · ivory black · yellow ochre · ultramarine blue

Mix skin tones using white, yellow ochre, and a touch of red. Add a small amount of blue or green to create shadows. The jacket is a mix of red, umber, and black. The background is a muted mix of umber, white, and yellow ochre.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·underpainting

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the likeness of the subject.
  • →Creating harsh lines or edges.
  • →Ignoring the subtle gradations of color.
  • →Getting the proportions wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas is recommended. Consider using a toned canvas to speed up the painting process.

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