
plate no. 2920
Vladimir Borovikovsky, 1796
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering subtle skin tones. It also provides practice in creating soft, diffused backgrounds and depicting clothing folds.
technical profile
approach — 8 steps
Lightly sketch the oval shape and the basic proportions of the figure, paying attention to the placement of the head, shoulders, and hand.
Block in the main areas of color: the skin tones, the jacket, the shirt, and the background.
Begin to refine the skin tones, using subtle gradations of color to create form and volume.
Add details to the face, such as the eyes, nose, and mouth, focusing on capturing the likeness of the subject.
Paint the jacket and shirt, paying attention to the folds and wrinkles in the fabric.
Soften the edges of the background and add the faint figure in the background.
Add highlights and shadows to create depth and dimension.
Refine the details and make any necessary adjustments.
color palette
primary · raw umber · titanium white · cadmium red light
secondary · ivory black · yellow ochre · ultramarine blue
Mix skin tones using white, yellow ochre, and a touch of red. Add a small amount of blue or green to create shadows. The jacket is a mix of red, umber, and black. The background is a muted mix of umber, white, and yellow ochre.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grain canvas is recommended. Consider using a toned canvas to speed up the painting process.
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