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home·artworks·Portrait of director of Capella Mark Fedorovich Poltoratsky
Portrait of director of Capella Mark Fedorovich Poltoratsky by Dmitry Levitzky

plate no. 7739

Portrait of director of Capella Mark Fedorovich Poltoratsky

Dmitry Levitzky, 1780

oilRococoportraitportraitfigureclothinghistoricalmale
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of fabric textures. It also provides practice in creating subtle value gradations to model form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure onto the canvas.

  2. step 02

    Establish the background with a thin wash of muted browns and grays.

  3. step 03

    Block in the main areas of color for the face, hair, and clothing.

  4. step 04

    Begin layering and blending the skin tones, paying attention to highlights and shadows.

  5. step 05

    Develop the details of the clothing, including the folds, buttons, and lace.

  6. step 06

    Refine the facial features, focusing on the eyes, nose, and mouth.

  7. step 07

    Add highlights and details to the hair to create texture and form.

  8. step 08

    Make final adjustments to the values and colors to achieve a cohesive and realistic portrait.

color palette

primary · red · white · brown · yellow ochre

secondary · black · gold

Skin tones are achieved by mixing white, yellow ochre, and small amounts of red and brown. Vary the proportions to create different shades and highlights. The red coat is a mix of red with touches of brown and black to deepen the shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·value study
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the face
  • →Muddy or flat skin tones
  • →Overly harsh blending
  • →Ignoring subtle value changes
  • →Inaccurate rendering of fabric folds

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (red, white, brown, yellow ochre, black)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retouch varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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