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home·artworks·Portrait of Diderot
Portrait of Diderot by Jean-Baptiste Greuze

plate no. 2277

Portrait of Diderot

Jean-Baptiste Greuze, 1766

oilRococoportraitportraitfiguremanprofilehairclothing
some experience helpful

Recreating this portrait will help students develop skills in rendering form using chiaroscuro and understanding the proportions of the human face in profile. It also provides practice in creating texture using hatching and cross-hatching techniques.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
5

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic outline of the head and shoulders, paying attention to proportions.

  2. step 02

    Establish the background tone with a mid-tone value, blending it smoothly.

  3. step 03

    Block in the darkest areas of the hair and clothing using a dark charcoal or conte crayon.

  4. step 04

    Add the highlights on the face and shirt using white chalk or pastel, focusing on the planes of the face.

  5. step 05

    Refine the details of the facial features, such as the eyes, nose, and mouth, using careful observation and subtle shading.

  6. step 06

    Develop the texture of the hair with short, directional strokes of dark charcoal and white chalk.

  7. step 07

    Blend and soften the transitions between values to create a sense of depth and volume.

  8. step 08

    Add final touches and highlights to enhance the overall realism of the portrait.

color palette

primary · sanguine · black · white

secondary · light brown · gray

The key is layering and blending sanguine, black, and white to achieve the subtle variations in skin tone. Use light brown and gray to soften transitions and add depth.

techniques

  • ·hatching
  • ·cross-hatching
  • ·blending
  • ·chiaroscuro
  • ·value layering

common pitfalls

  • →Overworking the blending, resulting in a loss of texture.
  • →Incorrect proportions of the facial features.
  • →Failing to establish a strong value contrast.
  • →Ignoring the subtle shifts in plane and form.

materials

surface · Toned paper

required

  • ·Sanguine conte crayon
  • ·Black charcoal pencil
  • ·White chalk or pastel
  • ·Toned paper (e.g., brown or gray)
  • ·Blending stump or tortillon
  • ·Kneaded eraser
  • ·Fixative spray

optional

  • ·Sandpaper block (for sharpening)
  • ·Chamois cloth (for blending)

Choose a paper with a slightly textured surface to better hold the charcoal and chalk. Fixative spray is essential to prevent smudging.

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