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home·artworks·Portrait of Derich Born
Portrait of Derich Born by Hans Holbein the Younger

plate no. 9378

Portrait of Derich Born

Hans Holbein the Younger, 1533

oil, woodNorthern Renaissanceportraitportraitfiguremanclothingfoliageinscription
some experience helpful

Recreating this painting will allow students to practice portraiture, including capturing likeness and rendering realistic skin tones, as well as working with a limited color palette to create depth and form.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the basic shapes and proportions of the figure and composition.

  2. step 02

    Block in the background with a dark, neutral tone, paying attention to the subtle variations in value.

  3. step 03

    Establish the main areas of light and shadow on the face, using thin layers of paint.

  4. step 04

    Refine the facial features, focusing on accurate proportions and subtle tonal changes.

  5. step 05

    Paint the clothing, using darker values to create depth and form.

  6. step 06

    Add details such as the lace collar, ring, and foliage.

  7. step 07

    Carefully render the inscription at the bottom, paying attention to the letterforms.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and depth.

color palette

primary · ivory black · titanium white · raw umber · yellow ochre

secondary · burnt sienna · cadmium red light

Mix various shades of gray and brown by combining ivory black, titanium white, raw umber, and small amounts of yellow ochre and burnt sienna. Use cadmium red light sparingly to add warmth to the skin tones.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·scumbling
  • ·underpainting

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to create sufficient contrast between light and shadow.
  • →Neglecting the subtle details that contribute to the overall realism.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface is recommended for achieving fine details.

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