
plate no. 2159
Jean-Honore Fragonard, 1769
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practice loose, expressive brushwork to create texture and form.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on proportions and placement of the figure.
Block in the background with a thin layer of dark, muted green-brown.
Establish the main light and shadow areas on the face and hands using a limited palette of warm and cool tones.
Begin building up the details of the face, paying close attention to the subtle variations in skin tone.
Paint the clothing, using loose brushstrokes to suggest the folds and textures of the fabric.
Add highlights and shadows to create depth and dimension.
Refine the details and adjust the overall color balance.
Add final touches and glazes to unify the painting.
color palette
primary · titanium white · yellow ochre · burnt umber · ivory black
secondary · cadmium red light · ultramarine blue
Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Use ultramarine blue and burnt umber to create the dark background and shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Pre-toned canvas with a warm underpainting can be helpful.
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