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home·artworks·Portrait of Countess Ekaterina Orlova
Portrait of Countess Ekaterina Orlova by Fyodor Rokotov

plate no. 6165

Portrait of Countess Ekaterina Orlova

Fyodor Rokotov, 1779

oil, canvasRococoportraitportraitfigurewomandresshistoricalhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding the use of chiaroscuro to create depth and form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic oval shape and the figure's pose, paying attention to proportions.

  2. step 02

    Block in the background with dark, muted tones.

  3. step 03

    Establish the main light source and begin to define the shadows and highlights on the face and body.

  4. step 04

    Mix and apply the base skin tones, gradually building up layers of color to create depth and warmth.

  5. step 05

    Paint the dress and other details, focusing on the folds and textures.

  6. step 06

    Add the red sash and blue embellishments, paying attention to their color and form.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create a sense of realism and depth.

color palette

primary · ivory black · yellow ochre · cadmium red light · titanium white

secondary · ultramarine blue · burnt umber

Skin tones are achieved by mixing yellow ochre, cadmium red light, and titanium white, with small amounts of burnt umber for shadows. The red sash is a mix of cadmium red light and a touch of burnt umber. The background is primarily ivory black with small amounts of other colors mixed in to create depth.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·rendering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a clear light source.
  • →Getting proportions wrong in the initial sketch.
  • →Not blending skin tones smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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