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home·artworks·Portrait of Countess Anna Vorontsova as a Child
Portrait of Countess Anna Vorontsova as a Child by Dmitry Levitzky

plate no. 6473

Portrait of Countess Anna Vorontsova as a Child

Dmitry Levitzky, 1790

oil, canvasRococoportraitportraitchilddresslaceribbonhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering delicate details like lace and fabric folds. It also provides practice in subtle color mixing and blending to achieve realistic skin tones.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the portrait on the canvas.

  2. step 02

    Establish the background with a dark, muted tone, gradually blending it to create a soft, diffused effect.

  3. step 03

    Block in the main areas of the face, dress, and hair with simplified color masses.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the details of the dress, including the lace collar and ribbon, using small brushes and precise strokes.

  6. step 06

    Add highlights to the face, hair, and dress to create a sense of depth and dimension.

  7. step 07

    Refine the edges of the portrait to create a soft, natural look.

  8. step 08

    Add final details and adjust values as needed to achieve a harmonious composition.

color palette

primary · titanium white · ivory black · raw umber · cadmium red light

secondary · ultramarine blue · yellow ochre · alizarin crimson

Achieve skin tones by mixing white, red, yellow ochre, and a touch of blue or umber for shadows. The dress is a mix of blue, white, and a touch of umber. The background is primarily black and umber, blended softly.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Using colors that are too saturated or intense.
  • →Failing to create a smooth, seamless blend between values.
  • →Losing the overall harmony of the composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags
  • ·mahl stick

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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