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home·artworks·Portrait of Count I.G.Orlov
Portrait of Count I.G.Orlov by Fyodor Rokotov

plate no. 9916

Portrait of Count I.G.Orlov

Fyodor Rokotov, 1765

oil, canvasRococoportraitportraitfigureclothinghairhistoricalmale
some experience helpful

Recreating this painting will develop skills in portraiture, including accurate proportions and capturing likeness, as well as blending techniques for skin tones and rendering fabric textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and torso.

  2. step 02

    Establish the background color with a thin wash of muted browns and greens.

  3. step 03

    Block in the main areas of color for the face, hair, clothing, and fur collar.

  4. step 04

    Begin layering and blending the skin tones, paying attention to highlights and shadows.

  5. step 05

    Develop the details of the hair, using small brushstrokes to create texture and volume.

  6. step 06

    Paint the clothing, focusing on the folds and drapery, and add the gold embellishments.

  7. step 07

    Render the fur collar with soft, blended strokes to create a sense of depth and texture.

  8. step 08

    Add final highlights and details to the face and clothing to complete the portrait.

color palette

primary · titanium white · yellow ochre · burnt umber · Prussian blue

secondary · cadmium yellow · alizarin crimson · ivory black

Mix skin tones using titanium white, yellow ochre, burnt umber, and a touch of alizarin crimson. Achieve the blue of the coat by mixing Prussian blue with white and a touch of umber to mute the color.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the skin tones, resulting in a flat, lifeless appearance.
  • →Failing to capture the subtle variations in color and value.
  • →Losing the form of the clothing in the folds and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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