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home·artworks·Portrait of Count G.G. Kushelev
Portrait of Count G.G. Kushelev by Vladimir Borovikovsky

plate no. 3750

Portrait of Count G.G. Kushelev

Vladimir Borovikovsky, 1801

oilRococoportraitportraitfiguresbustbuildinginteriorclothing
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering complex textures and details in clothing and ornamentation. It also provides practice in creating depth and atmosphere through subtle value shifts and color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the overall composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and areas of color, focusing on the background and larger forms first.

  3. step 03

    Begin to refine the details of the faces, paying close attention to the light and shadow to create form.

  4. step 04

    Develop the textures and details of the clothing, including the folds, highlights, and ornamentation.

  5. step 05

    Paint the bust and the landscape visible in the background, simplifying the details as needed.

  6. step 06

    Refine the details of the hands and other smaller elements, such as the papers and writing implements.

  7. step 07

    Adjust the overall values and color balance to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to enhance the realism and visual impact of the painting.

color palette

primary · ivory black · titanium white · burnt umber · cadmium red

secondary · yellow ochre · ultramarine blue · raw sienna

Achieve skin tones by mixing white, red, and umber, adjusting the proportions for highlights and shadows. Create the silvery sheen of the clothing by layering thin glazes of white and black over a neutral base.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering textures

common pitfalls

  • →Inaccurate proportions in the initial sketch can lead to problems later on.
  • →Overworking the details can result in a stiff and unnatural appearance.
  • →Failing to capture the subtle value shifts can flatten the forms.
  • →Ignoring the color temperature can create a discordant effect.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x30
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will facilitate blending and glazing.

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