
plate no. 2012
Charles Willson Peale, 1793
Recreating this portrait will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of clothing and fabric. It also provides practice in creating a sense of depth and form through subtle value changes.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the head, shoulders, and clothing.
Establish the main light and shadow areas on the face and clothing.
Begin blocking in the skin tones, starting with the mid-tones.
Mix and apply the colors for the clothing, paying attention to the folds and highlights.
Refine the details of the face, including the eyes, nose, and mouth.
Add the details of the hair, using short, broken strokes.
Paint the background, blending the colors smoothly.
Add final highlights and shadows to create depth and dimension.
color palette
primary · yellow ochre · burnt umber · titanium white
secondary · cadmium red · ivory black
Skin tones are achieved by mixing yellow ochre, burnt umber, and titanium white, with small amounts of cadmium red for warmth. The clothing is primarily yellow ochre and burnt umber, lightened with white. The background is a mix of ivory black and burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for painting.
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