apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Charles V
Portrait of Charles V by Bernard Van Orley

plate no. 6593

Portrait of Charles V

Bernard Van Orley, 1525

oilNorthern Renaissanceportraitportraitfigureclothingjewelryhatbackground
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone blending, as well as rendering textures like fur and metal.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Block in the main areas of color: skin tones, clothing, hat, and background.

  3. step 03

    Begin refining the skin tones, paying close attention to subtle value changes.

  4. step 04

    Add details to the clothing, including the fur trim and the decorative elements.

  5. step 05

    Paint the jewelry, focusing on capturing the metallic sheen and intricate details.

  6. step 06

    Create the dotted background pattern using a small brush or stippling technique.

  7. step 07

    Refine the overall composition, adjusting values and adding highlights where needed.

  8. step 08

    Add final details and glazes to enhance the depth and realism of the painting.

color palette

primary · ivory black · yellow ochre · cadmium red · raw umber

secondary · gold · white · brown · red

Achieve skin tones by mixing yellow ochre, cadmium red, and ivory black, adjusting the proportions to create highlights and shadows. Mix gold with yellow ochre and a touch of burnt sienna.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·rendering metal
  • ·blending

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or muddy skin tones.
  • →Failing to capture the subtle textures of the clothing and jewelry.
  • →Inaccurate rendering of the dotted background pattern.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·soft cloths

optional

  • ·palette knife
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley