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home·artworks·Portrait of Charles Fitzroy, 1st Baron Southampton
Portrait of Charles Fitzroy, 1st Baron Southampton by Joshua Reynolds

plate no. 9031

Portrait of Charles Fitzroy, 1st Baron Southampton

Joshua Reynolds

oil, canvasRococoportraitportraitfigureclothingmilitaryhistoricalmale
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, rendering skin tones, and capturing likeness. It also provides practice in painting intricate details like the gold embellishments on the uniform.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, focusing on proportions and pose.

  2. step 02

    Block in the background with broad strokes of muted colors.

  3. step 03

    Establish the basic skin tones and shadows on the face and hands.

  4. step 04

    Begin layering and blending the skin tones to create a realistic effect.

  5. step 05

    Paint the red coat, paying attention to the folds and highlights.

  6. step 06

    Carefully render the gold embellishments on the uniform, using small brushes and precise strokes.

  7. step 07

    Add details to the lace collar and cuffs.

  8. step 08

    Refine the details and adjust the values to create depth and dimension.

color palette

primary · cadmium red · ivory black · titanium white · yellow ochre

secondary · burnt umber · raw sienna · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Create the gold color by mixing yellow ochre, burnt sienna, and a touch of black for shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to capture the likeness of the subject.
  • →Making the gold embellishments look flat and unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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