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home·artworks·Portrait of Catherine Vasilevny Torsukovoy
Portrait of Catherine Vasilevny Torsukovoy by Vladimir Borovikovsky

plate no. 0167

Portrait of Catherine Vasilevny Torsukovoy

Vladimir Borovikovsky, 1795

oilRococoportraitportraitfiguredresshairlandscapetrees
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as practice blending techniques to create soft transitions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and placement within the frame.

  2. step 02

    Establish the background with broad washes of color, creating a soft, atmospheric effect.

  3. step 03

    Block in the main shapes of the figure, including the dress, shawl, and hair, using simplified color values.

  4. step 04

    Begin refining the skin tones, layering subtle variations of color to create depth and dimension.

  5. step 05

    Add details to the dress and shawl, paying attention to the folds and textures.

  6. step 06

    Refine the hair, using small brushstrokes to create individual strands and curls.

  7. step 07

    Add the final details to the face, including the eyes, nose, and mouth, focusing on capturing the likeness of the subject.

  8. step 08

    Make final adjustments to the overall composition, ensuring that all elements are in harmony.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ultramarine blue · viridian green · raw sienna

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red. Use ultramarine blue and viridian green to create the cool tones in the background.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. A medium-grain canvas is recommended.

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oil painting for beginners →how to learn by studying the masters →
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