apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Bryan Edwards half-length in a brown coat seated before a green curtain a view to a Caribbean landscape beyond
Portrait of Bryan Edwards half-length in a brown coat seated before a green curtain a view to a Caribbean landscape beyond by Lemuel Francis Abbott

plate no. 7098

Portrait of Bryan Edwards half-length in a brown coat seated before a green curtain a view to a Caribbean landscape beyond

Lemuel Francis Abbott

oilRococoportraitportraitfigurecoatlandscapecurtainbuilding
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering fabric textures. It also provides practice in creating depth through subtle value changes and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin building up the skin tones, paying attention to subtle color variations.

  4. step 04

    Define the features of the face, focusing on accurate placement and proportions.

  5. step 05

    Work on the coat, creating depth and texture with layers of paint.

  6. step 06

    Add details to the background, including the curtain and landscape.

  7. step 07

    Refine the highlights and shadows to create a sense of form and dimension.

  8. step 08

    Add final details and adjust colors as needed.

color palette

primary · ivory black · titanium white · raw umber · cadmium red

secondary · yellow ochre · viridian green

Mix skin tones by blending white, red, yellow ochre, and a touch of raw umber. Achieve the dark coat color by mixing black and raw umber. Use viridian green and yellow ochre to create the curtain and landscape colors.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to create enough depth in the coat.
  • →Ignoring the subtle color variations in the background.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints: ivory black, titanium white, raw umber, cadmium red, yellow ochre, viridian green
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West