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home·artworks·Portrait of Bischofs Benjamin Hoadly
Portrait of Bischofs Benjamin Hoadly by William Hogarth

plate no. 7819

Portrait of Bischofs Benjamin Hoadly

William Hogarth, 1743

oil, canvasRococoportraitportraitfigurerobechairwindowinterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict complex drapery and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure and background.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, focusing on the stained glass window and the dark, atmospheric space.

  4. step 04

    Begin building up the layers of paint on the figure, starting with the face and hands.

  5. step 05

    Pay close attention to the light and shadow on the face to create a sense of depth and volume.

  6. step 06

    Render the details of the robe, chair, and jewelry, using a variety of brushstrokes to create texture.

  7. step 07

    Refine the details and adjust the values to create a cohesive and realistic image.

  8. step 08

    Add final glazes to unify the colors and create a sense of depth.

color palette

primary · ivory black · titanium white · burnt umber · cadmium red

secondary · yellow ochre · ultramarine blue · raw sienna

Mix various shades of gray and brown by combining ivory black, titanium white, and burnt umber. Use cadmium red to create the flesh tones, and yellow ochre and ultramarine blue to add depth and variation.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and volume.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified underpainting.

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