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home·artworks·Portrait of Benedetto Portinari
Portrait of Benedetto Portinari by Hans Memling

plate no. 8229

Portrait of Benedetto Portinari

Hans Memling, 1487

oil, panelNorthern Renaissanceportraitportraitfigurelandscapecolumnsbookclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing atmospheric perspective in the background landscape.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the basic shapes and composition, paying attention to proportions.

  2. step 02

    Block in the background landscape with thin washes of color, establishing the atmospheric perspective.

  3. step 03

    Establish the main values of the figure's clothing and hair, using broad strokes.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and subtle value changes.

  5. step 05

    Add details to the book and other objects, paying attention to texture and form.

  6. step 06

    Refine the fur collar, using small brushstrokes to create the illusion of texture.

  7. step 07

    Adjust values and colors throughout the painting to create a sense of harmony and depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · ultramarine blue

secondary · cadmium red light · yellow ochre · burnt sienna

Mix skin tones using white, red, yellow ochre, and a touch of umber; create atmospheric perspective in the landscape by adding blue and white to the greens and browns.

techniques

  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a convincing sense of depth in the landscape.
  • →Using colors that are too saturated or bright.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 0, 2, 4)

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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