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home·artworks·Portrait of Benedetto di Tommaso Portinari
Portrait of Benedetto di Tommaso Portinari by Hans Memling

plate no. 3578

Portrait of Benedetto di Tommaso Portinari

Hans Memling, 1487

oil, woodNorthern Renaissanceportraitportraitfigurebooklandscapestaffreligious figure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations to create realistic skin tones. Students will also learn to render textures like fabric and aged paper.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: head, body, book, and staff.

  2. step 02

    Block in the background landscape with broad strokes, establishing the horizon line and basic color values.

  3. step 03

    Establish the dark values of the robe, paying attention to the subtle folds and shadows.

  4. step 04

    Begin layering the skin tones, starting with a base color and gradually adding highlights and shadows.

  5. step 05

    Carefully render the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Paint the book, paying attention to the texture of the pages and the binding.

  7. step 07

    Add details to the staff, focusing on the intricate carvings and metallic sheen.

  8. step 08

    Refine the overall composition, adjusting values and adding final details.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · burnt sienna · ultramarine blue · cadmium yellow light

Mix skin tones by blending yellow ochre, burnt sienna, and titanium white. Use ivory black and raw umber for the dark robe, adding small amounts of ultramarine blue for depth. Create the gold of the staff by mixing cadmium yellow light with burnt sienna and a touch of raw umber.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·rendering textures

common pitfalls

  • →Incorrect proportions of the face
  • →Overly harsh or muddy skin tones
  • →Lack of depth in the dark robe
  • →Inaccurate rendering of the book's texture

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish

Use high-quality oil paints for best results. Consider using a medium like linseed oil to thin the paints and improve blending.

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