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home·artworks·Portrait of Antoinette Elisabeth Marie d'Aguesseau, countess of Ségur
Portrait of Antoinette Elisabeth Marie d'Aguesseau, countess of Ségur by Louise Elisabeth Vigee Le Brun

plate no. 9192

Portrait of Antoinette Elisabeth Marie d'Aguesseau, countess of Ségur

Louise Elisabeth Vigee Le Brun, 1785

oilRococoportraitportraitwomanhatdressfeatherslace
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering fabric textures. It also provides practice in subtle color mixing and blending to create soft transitions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, hat, and background.

  2. step 02

    Establish the main light and shadow areas with a thin wash of color.

  3. step 03

    Block in the local colors of the skin, dress, hat, and background.

  4. step 04

    Refine the facial features, paying attention to the subtle variations in skin tone.

  5. step 05

    Develop the details of the dress, including the folds, lace, and textures.

  6. step 06

    Add details to the hat, including the feathers and ribbons.

  7. step 07

    Refine the background and add any final details.

  8. step 08

    Add highlights and shadows to create depth and dimension.

color palette

primary · titanium white · yellow ochre · ultramarine blue · burnt umber

secondary · alizarin crimson · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Use ultramarine blue and burnt umber to create the darker shades of the dress and hat. Mix white with small amounts of other colors to create the lace.

techniques

  • ·portrait sketching
  • ·color mixing
  • ·blending
  • ·glazing
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Failing to create a sense of depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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