apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Portrait of Ann Barbara Hill Medlycott
Portrait of Ann Barbara Hill Medlycott by Benjamin West

plate no. 8029

Portrait of Ann Barbara Hill Medlycott

Benjamin West, 1788

oil, canvasRococoportraitportraitwomandresspearlsshawlfigure
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering realistic skin tones. It also provides practice in depicting fabric folds and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hand.

  2. step 02

    Establish the background with a thin wash of brown and gradually build up darker tones.

  3. step 03

    Block in the main colors of the skin, dress, and shawl, paying attention to the overall color harmony.

  4. step 04

    Refine the facial features, focusing on accurate placement and subtle value changes.

  5. step 05

    Develop the details of the dress, including the lace, folds, and patterns.

  6. step 06

    Add highlights and shadows to create depth and dimension in the fabric and jewelry.

  7. step 07

    Work on the details of the hair and accessories.

  8. step 08

    Make final adjustments to the values and colors to achieve a cohesive and realistic representation.

color palette

primary · titanium white · ivory black · raw umber · cadmium red light

secondary · ultramarine blue · yellow ochre · alizarin crimson

Achieve skin tones by mixing titanium white, cadmium red light, yellow ochre, and a touch of raw umber. Create the blue fabric by mixing ultramarine blue with titanium white and a touch of raw umber. Mix alizarin crimson and titanium white for the pink shawl.

techniques

  • ·portrait painting
  • ·glazing
  • ·blending
  • ·rendering fabric
  • ·creating soft edges

common pitfalls

  • →Inaccurate proportions of the face and body
  • →Overly harsh or muddy skin tones
  • →Lack of attention to detail in the fabric folds
  • →Ignoring the subtle value changes that create depth

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (titanium white, ivory black, raw umber, cadmium red light, ultramarine blue, yellow ochre, alizarin crimson)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West