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home·artworks·Portrait of an Unknown Woman in a Blue Dress with Yellow Trimmings
Portrait of an Unknown Woman in a Blue Dress with Yellow Trimmings by Fyodor Rokotov

plate no. 6189

Portrait of an Unknown Woman in a Blue Dress with Yellow Trimmings

Fyodor Rokotov, 1760

oil, canvasRococoportraitportraitwomandressjewelryhairflowers
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and fabric textures. It also provides practice in creating subtle gradations of light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, focusing on proportions and placement on the canvas.

  2. step 02

    Block in the background with a thin wash of burnt umber and raw sienna.

  3. step 03

    Establish the basic skin tones using a mix of white, yellow ochre, and a touch of red.

  4. step 04

    Begin building up the form of the face, paying attention to highlights and shadows.

  5. step 05

    Block in the colors of the dress, using a mix of blues, yellows, and browns.

  6. step 06

    Add details to the dress, such as the lace and ribbons, using small brushes.

  7. step 07

    Paint the hair, creating volume and texture with varied brushstrokes.

  8. step 08

    Add final details, such as the jewelry and flowers, and refine the overall composition.

color palette

primary · titanium white · yellow ochre · burnt umber · Prussian blue

secondary · cadmium yellow · alizarin crimson · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Create the dress colors by blending blues, yellows, and browns. Use glazes to add depth and luminosity.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish accurate proportions in the initial sketch.
  • →Ignoring subtle variations in skin tone.
  • →Overworking details before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·Prussian blue oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·alizarin crimson oil paint

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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