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home·artworks·Portrait of an unknown man and his wife (left part)
Portrait of an unknown man and his wife (left part) by Bernard Van Orley

plate no. 6542

Portrait of an unknown man and his wife (left part)

Bernard Van Orley, 1500

oilNorthern Renaissanceportraitportraitmanclothinghatfacehand
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, capturing likeness, and rendering subtle skin tones. It also provides practice in depicting clothing and textures with a limited palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and hat.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Begin blocking in the skin tones using a limited palette of earth tones, white, and a touch of red.

  4. step 04

    Carefully blend the skin tones, paying attention to the subtle variations in color and value.

  5. step 05

    Paint the clothing, focusing on the folds and textures.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, using small brushes.

  7. step 07

    Refine the highlights and shadows to create a sense of depth and volume.

  8. step 08

    Add final details, such as the hair and jewelry.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light

Mix skin tones by blending white, yellow ochre, raw umber, and a touch of red. Use ivory black and raw umber for the dark clothing, adding white for highlights. Mix the background with raw umber and a touch of ivory black.

techniques

  • ·portraiture
  • ·blending
  • ·value studies
  • ·layering
  • ·grisaille underpainting

common pitfalls

  • →Incorrect proportions of the face
  • →Overly harsh or muddy skin tones
  • →Lack of attention to detail in the clothing
  • →Ignoring the subtle variations in value

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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