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home·artworks·Portrait of Ambroise Volmar Keller
Portrait of Ambroise Volmar Keller by Hans Baldung

plate no. 8380

Portrait of Ambroise Volmar Keller

Hans Baldung, 1538

oil, panelNorthern Renaissanceportraitportraitfigurelandscapefoliagebookclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding atmospheric perspective in landscape painting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the landscape elements.

  2. step 02

    Establish the background with thin washes of color, creating depth through atmospheric perspective.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and pose.

  4. step 04

    Begin layering colors on the face, gradually building up highlights and shadows to define the features.

  5. step 05

    Develop the drapery of the robe, using subtle variations in color and value to create folds and volume.

  6. step 06

    Paint the book, focusing on the details of the frame and the contrast between the frame and the dark center.

  7. step 07

    Add details to the foliage and other background elements, refining the overall composition.

  8. step 08

    Refine the details and add final touches, ensuring that the painting has a cohesive and polished look.

color palette

primary · red ochre · ivory black · raw umber · titanium white

secondary · sap green · yellow ochre

Mix various shades of red by combining red ochre with ivory black and titanium white. Achieve the landscape colors by mixing sap green, yellow ochre, and raw umber.

techniques

  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details in the background, which can distract from the main subject.
  • →Failing to capture the likeness of the figure, resulting in a generic portrait.
  • →Using too much paint, which can make the painting look heavy and muddy.
  • →Ignoring the subtle variations in color and value, which can flatten the overall effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#4 filbert brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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