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home·artworks·Portrait of Alexandru Odobescu
Portrait of Alexandru Odobescu by George Demetrescu Mirea

plate no. 6811

Portrait of Alexandru Odobescu

George Demetrescu Mirea

oilAcademicismportraitportraitmanformal wearfacehairmustache
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering subtle tonal variations in skin and clothing. It also provides practice in creating a sense of depth and form using chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure using light pencil lines.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of burnt umber.

  3. step 03

    Block in the skin tones using a limited palette of white, yellow ochre, and burnt sienna.

  4. step 04

    Refine the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Paint the dark background, gradually building up layers of color to create depth.

  6. step 06

    Add details to the clothing, such as the collar, bow tie, and jacket, using a combination of dark and light tones.

  7. step 07

    Refine the highlights and shadows throughout the painting to create a sense of form and volume.

  8. step 08

    Add final details, such as the hair and mustache, using small, precise brushstrokes.

color palette

primary · ivory black · titanium white · yellow ochre · burnt sienna

secondary · raw umber · cadmium yellow hue · alizarin crimson

Mix skin tones by blending white, yellow ochre, and a touch of burnt sienna. Use black and raw umber for the dark background and clothing, adding small amounts of other colors to create subtle variations.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·portraiture
  • ·tonal painting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color in the skin tones.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (ivory black, titanium white, yellow ochre, burnt sienna, raw umber)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a fine-weave canvas for smooth blending. Consider using a medium to improve the flow of the paint.

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oil painting for beginners →how to learn by studying the masters →
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