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home·artworks·Portrait of Alexandre-Jean-Joseph Le Riche de La Pouplinière
Portrait of Alexandre-Jean-Joseph Le Riche de La Pouplinière by Maurice Quentin de La Tour

plate no. 9550

Portrait of Alexandre-Jean-Joseph Le Riche de La Pouplinière

Maurice Quentin de La Tour

pastelRococoportraitportraitfiguremanclothingwigrococo
experienced study

Recreating this portrait will help students develop skills in portraiture, including capturing likeness, rendering skin tones, and creating soft, diffused lighting effects. It also provides practice in depicting complex textures like fabric and hair.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and wig.

  2. step 02

    Establish the background with a soft, blended layer of blues and grays.

  3. step 03

    Block in the main areas of the face with light, medium, and dark tones, focusing on accurate placement of features.

  4. step 04

    Begin layering colors to build up the skin tones, using subtle variations of pinks, yellows, and blues.

  5. step 05

    Define the features of the face, paying attention to the highlights and shadows that create form.

  6. step 06

    Paint the wig, using short, curved strokes to suggest the texture of the hair.

  7. step 07

    Add the clothing, focusing on the folds and highlights that define the fabric.

  8. step 08

    Refine the details and add any finishing touches, such as the lace collar and subtle highlights.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt sienna

secondary · cadmium red light · ivory black · raw umber

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue and black to create the dark blues of the coat. Mix white with a touch of black and blue for the wig.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·color mixing
  • ·rendering fabric

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in color and value.
  • →Making the wig look flat and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·medium gloss
  • ·retarder medium
  • ·easel

Use high-quality paints for best results. A smooth canvas surface will make blending easier.

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