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home·artworks·Portrait of Alexandra Struiskaya
Portrait of Alexandra Struiskaya by Fyodor Rokotov

plate no. 5269

Portrait of Alexandra Struiskaya

Fyodor Rokotov, 1772

oil, canvasRococoportraitportraitfiguredresshairrococowoman
some experience helpful

Recreating this painting would help students develop skills in portraiture, including accurate proportions, subtle value transitions, and capturing a likeness. It also provides practice in rendering fabric and creating soft, diffused lighting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the head, shoulders, and dress.

  2. step 02

    Establish the background with a dark, muted tone, gradually building up the darkness.

  3. step 03

    Block in the skin tones using a base mixture of white, yellow ochre, and a touch of red.

  4. step 04

    Begin to refine the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  5. step 05

    Develop the highlights and shadows on the face to create depth and dimension.

  6. step 06

    Paint the dress, focusing on the folds and drapery, and using subtle color variations to suggest the texture of the fabric.

  7. step 07

    Add details such as the hair, jewelry, and lace.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to achieve a harmonious and realistic effect.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red light

secondary · ivory black · ultramarine blue · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and ivory black to create the dark background. Mix ultramarine blue with burnt umber for cooler shadows.

techniques

  • ·portrait drawing
  • ·blending
  • ·glazing
  • ·value control
  • ·color mixing

common pitfalls

  • →Getting the proportions wrong, especially in the face.
  • →Overworking the painting and losing the soft, diffused effect.
  • →Using colors that are too bright or saturated.
  • →Neglecting the subtle value transitions in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·ultramarine blue oil paint

Use high-quality oil paints for best results. A smooth canvas surface is recommended for achieving the soft, blended effect.

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oil painting for beginners →how to learn by studying the masters →
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