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home·artworks·Portrait of Admiral Sir Robert Bruce-Kingsmill BT
Portrait of Admiral Sir Robert Bruce-Kingsmill BT by Lemuel Francis Abbott

plate no. 0821

Portrait of Admiral Sir Robert Bruce-Kingsmill BT

Lemuel Francis Abbott

oilRococoportraitportraitfiguremanclothingmilitaryuniform
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering of fabric and details. It also provides practice in creating a sense of depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the background with a thin wash of dark brown or gray.

  3. step 03

    Block in the main areas of color for the skin, hair, and uniform, focusing on the overall values.

  4. step 04

    Refine the skin tones by layering and blending different shades of pink, yellow, and brown.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, paying close attention to the highlights and shadows.

  6. step 06

    Work on the uniform, adding details such as the buttons, collar, and epaulettes.

  7. step 07

    Refine the hair, adding highlights and shadows to create a sense of volume.

  8. step 08

    Make final adjustments to the values and details to create a cohesive and realistic portrait.

color palette

primary · titanium white · ivory black · burnt umber · yellow ochre

secondary · cadmium red light · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, burnt umber, and a touch of red. The uniform is primarily black and blue, lightened with white for highlights.

techniques

  • ·portrait sketching
  • ·value studies
  • ·color mixing
  • ·blending
  • ·layering

common pitfalls

  • →Incorrect proportions of the face
  • →Muddy skin tones
  • →Overly harsh or soft blending
  • →Lack of attention to detail in the clothing

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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